The Oxford math-rock band’s first studio release since 2016 reunites Stuart Smith with the group he left after 2009’s Animals, placing three new songs back inside the long overlap between emo and math-rock.
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The Oxford math-rock band’s first studio release since 2016 reunites Stuart Smith with the group he left after 2009’s Animals, placing three new songs back inside the long overlap between emo and math-rock.
The New York dream-pop band’s third pre-album single turns an intimate move back into the city into something larger than nostalgia.
The Scottish songwriter’s first full-length arrives in November via Last Recordings On Earth, following her departure from a major label.
Leaf in a Forest’s third streaming album uses fragile ukulele leads and sweeping orchestral arrangements to map anxiety, displacement, and exploration.
From a former electrical store near Hamburg, Witte turns the exact measurement of absence into a song of restraint, irony and quiet emotional weight.
The cross-continental duo of Johanes Pribadi and Shigeru Ishihara returns with a collaborative album built from Indonesian and Japanese percussion, industrial texture, and hard rhythm.
The source material concerns online casino licensing and gambling regulation. This is not a music-related topic — there is no artist, release, concert, label, scene, or music industry subject to build an article around. It falls outside Rombo Magazine’s editorial scope. EXCLUDE
A video shared by his family shows the 10-year-old with Fragile X syndrome singing along to his favorite band during their recent Chicago show.
The guitarist says he was terminated in 2024 after refusing a lineup change that brought in his sister’s husband, and has launched a new project called WOLVESofJUNE.
Hayley Williams and producer Daniel James follow their debut as Power Snatch with EP2, a four-track set of ’90s-informed alt-rock and trip-hop.
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