A D.C. court ruled the Kennedy Center must cover Chuck Redd’s $252,479.70 in legal costs after dismissing its breach-of-contract suit against him — a case the judge linked to political retribution.
A D.C. court ruled the Kennedy Center must cover Chuck Redd’s $252,479.70 in legal costs after dismissing its breach-of-contract suit against him — a case the judge linked to political retribution.
Produced by Daptone’s Gabriel Roth, the album moves BG, Zeimani, and Kucha Womack away from past hip-hop/R&B detours and into a lineage they were born to uphold.
Kristian Matsson’s new album draws directly from the traditional music of Dalarna, marking a deeper turn toward his own heritage.
Fujiya & Miyagi return with New Shiny Object, out October 30, and share the taut lead single “Lowest Common Denominator.”
The London duo sets up ‘Nocturne’ (out 18 September) with a club-inspired track about desire, ahead of a November UK tour.
The Beatles’ trusted engineer abandoned the fractious sessions for *The White Album*, citing a toxic atmosphere that felt like “watching a divorce between four people.” He later returned for *Abbey Road* on the promise of a clean slate.
A short clip from a recent show captures Drake barking at a woman in full goth attire—a gesture that marks subculture’s absorption into the stadium-pop vocabulary.
The long-awaited successor to one of the best-selling synths of the century updates the formula with more polyphony and new sound engines, though the landscape it enters is far more crowded.
In August 1976, the Ramones brought their minute-long songs and leather jackets to the Roxy. The city’s biggest critic wasn’t having it.
The Los Angeles songwriter follows last year’s _Altogether Stranger_ with a self-released album recorded on an eight-track in her Echo Park kitchen.
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