The new album signals a turn away from the polished pop of Colors and back toward the orchestral melancholy of Sea Change and Morning Phase.
The new album signals a turn away from the polished pop of Colors and back toward the orchestral melancholy of Sea Change and Morning Phase.
The Dublin band’s fourth record sharpens their industrial noise rock into something more volatile, structured, and unrelenting.
At Tokyo’s Belluna Dome, The Weeknd brought out Yoko Takahashi to debut a new track built around the Neon Genesis Evangelion theme, with visuals by Yoko Taro.
Ready or Not is the song that started Limit State, and it sounds like someone stepping into real life while still listening for the crack in the frame.
Her fourth album opens with 74,000 equivalent album units, giving Aiko her first chart-topping full-length.
A sold-out Rod Laver Arena gathered more than 120 artists, including Celine Dion, Chris Martin, and Keith Urban, to honor the Australian singer.
Electric Callboy join composer Hayashi Yuki on a new version of the My Hero Academia theme, out globally on 22 September.
Known for directing videos for Nine Inch Nails and Meat Beat Manifesto, Stokes now gives his own project, Dimensional Holofonic Sound, a physical form built around lock-grooves and hand-cut vinyl.
The saxophonist built a portable organ from salvaged church pipes in Northern Denmark, then shaped its breath into a psalm cycle with two vocalists.
The Glasgow band have shared two lead tracks, “Run Down Small Town” and “City Used To Be Alive,” as the first markers of their next record.