The Brooklyn artist returns on October 23 with a 10-track Dead Oceans LP and the single “She Doesn’t Love Me,” a bittersweet turn from heaviness toward communal release.
The Brooklyn artist returns on October 23 with a 10-track Dead Oceans LP and the single “She Doesn’t Love Me,” a bittersweet turn from heaviness toward communal release.
The track predates their 2022 debut but finally gets a studio version on The Underworld, out October 16 via Run For Cover.
The follow-up to *Beethoven Blues* continues Batiste’s piano series, reframing classical music through the lens of Black American traditions. An August release follows a dramatic four-night London residency at KOKO.
The former Brooklyn Vegan editor’s debut book charts the messy, often contradictory networks of the 2010s emo underground.
The Peckham rapper’s latest album reconstructs a world of wonky beats and community elegies, buoyed by his ongoing link with New York’s 10k label.
The guitarist, 81, reached out to Ian Gillan and the band for a one-song appearance at Jones Beach Theater, his first with Deep Purple since 1993.
Before Ferry Corsten’s trance remix made it a dancefloor staple, Orbit’s rework of Samuel Barber’s Adagio for Strings marked a pivot from pop producer to electronic-classical architect.
The benefit festival’s two stages alternate all day, letting attendees catch every set from Bikini Kill, Mitski, Doechii, and more without missing a minute.
The New England trio preview their forthcoming album Modernism with a track that pairs vibraphones and fuzz bass with a backwards guitar solo.
A brief onstage reunion brought the actor and the musician together mid-set, as the show’s fourth season continues.
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