The New York duo’s latest project emerges from a period of isolation following a stalking incident, channeling obsession and discomfort into six tracks of hyperpop maximalism.
The New York duo’s latest project emerges from a period of isolation following a stalking incident, channeling obsession and discomfort into six tracks of hyperpop maximalism.
The producer behind PinkPantheress’s global No. 1 “Stateside” remix discusses the online debate over its tuning—and why he sees it as a necessary pushback against AI perfection.
The fourth release from Arthur Roman is a modest but coherent addition to a still-small catalog. With only a handful of tracks available, the project operates at a deliberate remove from the usual cycles of promotion. What has surfaced so far suggests a producer interested in music that performs a clear role rather than competing …
The Thomann house brand’s new high-end series includes crashes, rides, and hi-hats, with a pre-configured set priced at £615.
A loose network of producers is knitting regional folk styles, temple melodies, and muay thai rhythms into bass-heavy, experimental electronics—quietly redefining what the country’s club music can be.
The My Morning Jacket frontman returns to solo work with *Wowed Out*, an album stitched together from years of sessions with composer Brian Reitzell.
Fronted by artist Gregg Deal, the band sharpens its critique of American myths on Wagon Burner, an album that pairs caustic humor with hardcore urgency.
The Australian singer-songwriter shares a new single that hides emotional violence beneath warm, fuzzy sonics, paired with a video and a run of UK dates.
The one-day event, set for August 2026 in Southern California, pairs a multi-generational lineup with donations to a range of women’s advocacy organisations.
The second release on Craft Services pulls back from the debut’s polish to reveal the raw components underneath.
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