The gothic booth has become a stage for unscripted revelations, as guests like Karol G and Maggie Rogers share personal stories mid-show.
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The gothic booth has become a stage for unscripted revelations, as guests like Karol G and Maggie Rogers share personal stories mid-show.
A podcast appearance and a Rolling Stone feature pull back the curtain on the commercial collapse of Lizzo’s latest album, raising questions about radio, fandom, and personal brand.
J Mascis gave himself Rick Rubin’s advice, tracking down the same 1970s Mesa Boogie amp from the band’s debut to fuel lead single “Several Got Away.”
The Philadelphia duo’s new split release foregrounds pitch-shifted vocals and oompa beats, recorded with the no-fidelity logic of a West Philly basement.
After a seven-year gap, the singer-songwriter details a project that began with creative paralysis during the pandemic and deepened through personal loss.
Nearly a decade after the episodes that first sparked the instrumental, the track still moves like a body that has not fully woken from that suspended state while treating memory as something that accumulates rather than resolves.
Keyboardist Gillian Gilbert and drummer Stephen Morris are stepping back from New Order’s live lineup indefinitely, citing personal health issues, and will not perform at Primavera Chile this November.
The quintet’s new album bypasses post-production entirely, placing the listener directly inside the collective decision-making of a band at work.
In a moment when a lot of rap either lingers inside old damage or performs a polished version of arrival for applause, Milo Kobayashi does something more precise. He treats personal evolution as a logistics problem.
The tour pairs 4K (and some 35mm) screenings with a Q&A and acoustic set, hitting over 30 cities before wrapping at New York’s Beacon Theatre.
