Montréal’s Eau the Music announces her self-produced debut album, introducing the gauzy, instinct-driven single ‘In This Silence’ — a meditation on the in-between.
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Montréal’s Eau the Music announces her self-produced debut album, introducing the gauzy, instinct-driven single ‘In This Silence’ — a meditation on the in-between.
The Welsh duo trade the ascent for a detour, using Iceland as both backdrop and metaphor on their new album.
The werewolf endures in punk not as a gimmick, but as a fitting metaphor for a genre built on internal conflict and unfiltered aggression.
The 1999 album, the last to feature Gerhard Behles before his full turn toward founding Ableton, arrives on vinyl for the first time as a document of a shifting electronic landscape.
After canceling everything and isolating in Hawaii, the Colombian star turned private chaos into the collaborative but unguarded *No Me Arrepiento de Sentir Tanto*.
The New York hardcore band revisits its 1986 debut, a foundational document of the genre, with a full re-recording due in November.
The Texas songwriter pairs again with Langley for a mid-tempo lament about emotional distance and shared disillusionment.
His career traced an unlikely arc through industrial rock, nu-metal, pop stardom, and hip-hop, marking him as one of the quiet architects of modern music business.
The LA producer revisits the 1973 live version with Esther Satterfield, shaping it into a club-ready track that channels Todd Terje’s buoyant touch.
The late Rush drummer’s artistry is examined in a new film arriving September 23, with appearances by bandmates Geddy Lee and Alex Lifeson and an all-star lineup of drummers reinterpreting his work.
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