A limited-edition gain pedal with custom kaiju artwork follows last year’s extravagant Godzilla Stratocaster, offering a conventional op-amp distortion with active 2-band EQ.
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A limited-edition gain pedal with custom kaiju artwork follows last year’s extravagant Godzilla Stratocaster, offering a conventional op-amp distortion with active 2-band EQ.
Gustav Berntsen returns with a sharper, melody-driven record built from cut-up London Metro newspapers and a wider instrumental reach.
Hours after announcing Foreign Tongues, the band gathered a room full of journalists and a few famous faces in Brooklyn to hear the same punchline they have been laughing at since 1962.
The Spanish singer brought her densely layered work on female sainthood to a British arena, threading medieval iconography through modern staging.
In a new interview, the singer-songwriter traces a path from California wildfires to a track that confronts a society too numb to act.
The Montreal band closes the rollout for their second album with a track translated from French and built on a borrowed bassline. The accompanying video stages denial in distinct visual tableaux.
The Akron band’s tightly wound performance at the SNL50 special was another step in a goodbye that started in 2022.
A new YouTube video finds the artist revisiting the Roland instrument he calls “the king of synths,” sharing stories and sounds from a machine he’s owned for more than four decades.
The Chattanooga rapper returns with a project that turns years of personal turmoil into a focused, Southern-fried statement of intent.
The Seattle band confirmed the split through their website, with each member already deep into separate work.
