The Philadelphia band returns with an album shaped by two decades of connection and a single that makes the distance feel personal.
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The Philadelphia band returns with an album shaped by two decades of connection and a single that makes the distance feel personal.
The composer and producer traveled the region with a solar-powered mobile studio, capturing historic pipe organs for “Kingdom Come, Kingdom Go.” The first single, “Winterhouse,” is out now.
Four years after a Paramount Theatre jam, the 400 Unit guitarist still remembers every detail of that Hendrix cover with the Pearl Jam shredder.
The festival will scale its green hydrogen pilot into HYDRO XL, a 20,000-capacity main stage with full production and zero emissions.
The Dublin noise rock trio’s second EP arrived this week, recorded with producer James Eager and centered on lyrics about extreme psychological states.
A new Guardian report exposes agencies that send paid content creators to festivals, manufacturing the kind of word-of-mouth that shapes what gets noticed.
A landmark album built entirely from samples, Endtroducing turns three decades old this September. Shadow will perform it in full on the road.
The South London singer threads jazz, alt-soul, and Brazilian influences into a light, self-assured single ahead of her first EP.
The album that proved a record could be built entirely from samples gets a dedicated North American run, with dates across the U.S. and Canada this fall.
The singer’s legal team wants a blanket ban on mentioning the 2009 felony assault, but the housekeeper suing him says the request is premature and overly broad.
