The annual production series returns by arguing that mastering one synth matters more than collecting dozens, a stance that challenges the industry’s upgrade cycle.
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The annual production series returns by arguing that mastering one synth matters more than collecting dozens, a stance that challenges the industry’s upgrade cycle.
Ariana Grande’s next record arrives quickly on the heels of 2024’s ‘Eternal Sunshine’ and marks ten years since ‘Dangerous Woman’ reshaped her pop trajectory.
The Belfast rap trio drops a debut album that sharpens their political bite into something more direct than any headline.
The Vancouver band will release their first LP with the original three-piece lineup that included late bassist Gabe Jacob Ferman, preserving a creative partnership that outlives tragedy.
In his April electronic music roundup, Jaša Bužinel flags a lewd track title from Drexciya’s Abstract Thought project that cuts through the duo’s usual Afrofuturist poise.
The third single from REDSTAR WU & THE WORLDWIDE SCOURGE carries a stubborn optimism as the May 15 release approaches.
The band’s Sunday evening set at the California festival leaned on the songs that made *Cracked Rear View* a blockbuster, while a Kool and the Gang interpolation and Darius Rucker’s solo hit underscored the blurred lines between rock, pop, and modern country.
The new column draws on nearly twenty years of afterparty experience to map the disorienting hours where time and people stop behaving properly.
Billboards bearing the band’s logo and the phrase “Foreign Tongues” in various languages have appeared in several cities, suggesting a new album title without any official statement.
The Academy of Country Music awarded its New Female Artist trophy early. Here’s why Avery Anna’s win resonates.
