The Montreal band’s ninth album sets aside percussion entirely, letting Robin Wattie’s voice and layers of distorted guitar carry the emotional weight.
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The Montreal band’s ninth album sets aside percussion entirely, letting Robin Wattie’s voice and layers of distorted guitar carry the emotional weight.
The American Federation of Musicians alleges that the majors licensed recordings to AI firms Suno and Udio without sharing proceeds, breaching a collective bargaining agreement.
The Surf Gang founder returns to his main project, sharing the Harto Falion collaboration “Helllp Meeee !!!!” and a release date.
On their third album, Montreal’s Cola finally explain their name and deliver their most direct post-punk yet.
The UK artist’s self-released eleven-track set collages found sound, cellular noise, and fractured club electronics into something unmistakably born from concrete and restless nights.
The Japanese instrumental group’s new album, *Snowdrop*, channels the late producer’s spirit through Brad Wood and a full choir and orchestra.
The newly renamed Bruce Springsteen Center for American Music inaugurated its expanded mission with a sprawling concert spanning blues, folk, rock, and hip-hop.
Shortly after a weather-related cancellation, Wallen’s Friday night concert delivered a stranger moment: he snatched a security guard’s phone and launched it into the audience.
The hyperpop artist aired her grievances on Instagram, then a fire alarm interrupted the set—but the show went on.
Days before opening for Harry Styles at Wembley Stadium, Shania Twain filled a 200-capacity pub with country classics, a new single, and stories from her bar-playing youth.
