Early on day one, a Filipino P-pop group brought something rare to the festival’s main stage: unpolished sincerity. Elsewhere, not everything landed.
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Early on day one, a Filipino P-pop group brought something rare to the festival’s main stage: unpolished sincerity. Elsewhere, not everything landed.
The Eau Claire avant-rock group strips their sound down to its bruised essentials in a track that lasts barely over a minute.
The sprawling edition includes 52 unreleased tracks, remastered audio, and a note from Costello explaining why a golden anniversary felt “preposterous.”
On the day her debut single arrives, the songwriter who splits her time between El Paso and Burgundy turns a 3:35 AM moment of honesty into a public invitation. “I Want To See Your Fire” is out now and asks to be played loud.
In “Welcome to Your Life,” the songwriter behind “Everybody Wants to Rule the World” traces a path from family turmoil to stadium anthems, but his emotional remove remains intact.
The Chicago artist’s Tonight Show performance and interview framed the Coloring Book anniversary not as nostalgia, but as a cultural check-in point.
Three years in, the branded space has quietly become a genuine festival draw, proving that a last-minute reveal can still carry weight.
The track arrives as the first glimpse of a Lost Art Records compilation that also includes contributions from Lucinda Williams, Phosphorescent, and John Moreland.
From the United Center stage, Grande spoke directly to fans about the decision to withdraw from public view after her tour, insisting it was made long ago and not driven by outside negativity.
Sharon Osbourne pushes back on criticism of the planned Ozzy Osbourne hologram project, insisting it was the late singer’s long-held wish and part of a broader legacy effort.
