The Bright Eyes frontman explains why today’s political absurdity resists the kind of polemical songwriting he practiced during the Bush years.
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The Bright Eyes frontman explains why today’s political absurdity resists the kind of polemical songwriting he practiced during the Bush years.
The masked singer shares a new track from his upcoming album Mule, a set that deepens his twisted country persona without overplaying the mystery.
The Dutch producer returns with the full band for a track that merges U2’s anthemic core with streamlined electronic production.
The techno producer performed a live score alongside Gerrard’s SPIRITS, a digital artwork that dissolves discarded ocean shoes into oil—a meeting of rhythm, repetition, and ecological decay.
The South African artist returns with a 14-track follow-up that reflects a more personal, club-informed evolution.
The Detroit songwriter emerges from a period of upheaval with a new single featuring Peter Buck and Mike Mills. Dancing Alone on the Concrete is due October 2 on Saddle Creek.
The instrumental trio returns with a meditative new track from their forthcoming Sargent House release.
The Swedish heavy metal band Ghost document their 2025 Mexico City shows and the backstage machinery in a new concert film headed to IMAX screens this August.
The 1989 album closed a pivotal decade of transnational collaboration, pulling Okinawan folk, Senegalese vocals, and a Rolling Stones cover into a singular vision.
The Chicago doomgaze quartet talks about the deliberate shifts, revisions, and atmospheric pressures that shaped their sixth album ahead of its Sargent House release.
