Ian Anderson reflects on the maligned album’s electronic pivot, the band’s real-time playing, and the delicate moment an idea arrives.
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Ian Anderson reflects on the maligned album’s electronic pivot, the band’s real-time playing, and the delicate moment an idea arrives.
New York trio Mama Doom drop a NSFW video for “Woven Linen,” mixing occult gore with guitar-free doom ahead of their 2026 album Eminent Womb.
The Northampton/Milton Keynes four-piece sharpen their instrumental attack with new single “Maat Mons” ahead of a September release on grassroots label Vandalism Begins At Home.
The former Kamelot vocalist says he’s trying to capture the sound the band had while he was in it, marking his most direct nod to that era since leaving in 2011.
A one-take video captures the modular synth artist reshaping album material inside a 139-year-old building undergoing its own reconstruction.
In the first edition of This Week’s Four, our new weekly series that selects four artists from submissions to ROMBO’s Instagram Open Call, LA singer-songwriter O Warwick leads with his debut single. “Lonely Creek” drifts through forest memory and self-recognition with a voice that is both grounded and luminous.
The Naarm/Melbourne songwriter draws on bedroom production roots and Brisbane’s trip-hop scene for a five-track EP about first love and confusion.
In a new podcast, Boyd reveals no one from the Sam Mendes films contacted her or tour manager Chris O’Dell. The productions seem set on a version of the story that ignores living witnesses.
The rapper’s Brockwell Park headline set introduced her electronically-inclined EP to a massive crowd on the festival’s sweltering final day.
The latest installment of The Number Ones dismantles “Permission To Dance” as a pure commercial placeholder, raising uncomfortable questions about how the K-pop phenomenon’s chart history will be remembered.
