In a new podcast, Boyd reveals no one from the Sam Mendes films contacted her or tour manager Chris O’Dell. The productions seem set on a version of the story that ignores living witnesses.
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In a new podcast, Boyd reveals no one from the Sam Mendes films contacted her or tour manager Chris O’Dell. The productions seem set on a version of the story that ignores living witnesses.
The rapper’s Brockwell Park headline set introduced her electronically-inclined EP to a massive crowd on the festival’s sweltering final day.
The latest installment of The Number Ones dismantles “Permission To Dance” as a pure commercial placeholder, raising uncomfortable questions about how the K-pop phenomenon’s chart history will be remembered.
Brian Connolly debuts as The Tacet Mode with a meticulously produced indie-rock record that fuses 1980s atmospheric lineage and contemporary clarity. Produced by Alex Newport with guitar work from Leo Abrahams, Not How You Color maps transformation, ego, and authenticity across fourteen tracks of controlled emotional weight.
The Missouri trio recorded their new album after hours in a Syracuse University studio. It arrives July 14 without a label, marking a hard-won independence.
The Bradford-born singer’s homecoming at AO Arena mixed his latest album Konnakol with older material, showcasing a voice that needs no studio help. He dedicated the night to his mother and left nostalgic reunions aside.
The modular composer opens Someone Special with a beat-driven record built on confrontation, just days before a Barbican concert that revisits her gentler past.
For decades, the melancholy of “Rocket Man” was tied to Bowie’s “Space Oddity.” Bernie Taupin says the real inspiration came from a 1951 short story, and Elton John had no idea.
From a kitchen full of oddball gear, a record took shape that would shift the global perception of electronic music.
The Death Cab for Cutie frontman describes a moment of collapse during a 100-mile trail race, and how he built mental compartments to house his grief.
