The first release from his new project moves into noticeably different territory from his work with Anxious.
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The first release from his new project moves into noticeably different territory from his work with Anxious.
The Austin quartet’s first album “Graceful” brings a careful, fuzzy energy to twee pop, released on the label founded by Beat Happening’s Calvin Johnson.
The 2026 final in New Jersey introduces an 11-minute performance block, and the lineup says a lot about the tournament’s global ambitions. A new Madonna album, a BTS return, and a Shakira song in Italian for a country that didn’t qualify.
The four-piece will take a rowdy victory lap across three US legs this summer and fall, marking two decades since their self-titled arrival.
The Slovenian group’s latest record doesn’t target a single artist. It goes after the entire machinery of modern pop, with a little help from producer Richard X.
The frontman picks four voices that shaped his approach to the genre in a new feature with Metal Injection.
The Buenos Aires producer delivers eight tracks of active, shifting drone that draw from field recordings, processed instruments, and rhythmic undercurrents.
This year’s selections map the unsteady pulse of American listening, from house music’s underground origins to stadium-size pop.
The London avant-pop duo confirm a June 10 release for their first EP, alongside the track “HOLD ME (SLOWLY)” and a string of festival appearances.
The TDE rapper’s first project since 2021’s The House is Burning brings warmth and personal focus, with contributions from SZA and Dominic Fike.
