The Tasseomancy member’s second solo single imagines a conversation between the Singing Nun and diarist Etty Hillesum, stripped to a meditative core by producer Meg Duffy.
The Tasseomancy member’s second solo single imagines a conversation between the Singing Nun and diarist Etty Hillesum, stripped to a meditative core by producer Meg Duffy.
The singer’s third album arrives after a four-year gap, splitting its tracklist into two emotional halves and pulling from Eighties sonics.
The metalcore band withheld merchandise from sale at their Italian tour stop, instead giving shirts away for free in protest of venue commission structures.
The singer-songwriter returns June 12 with ‘you seem pretty sad for a girl so in love,’ a record that pushes beyond teenage diaristic pop, produced by Daniel Nigro and spotlighted by over 200 record shops opening at midnight.
The album mines declassified recordings and Indonesian horror to ask hard questions about democracy, power, and historical amnesia.
The Baltimore band’s second album turns road-tested thrash and punk hostility into a cohesive, dynamic statement of collapse.
The long-running friendship between Kerry Alexander, Chris Hoge, and Elena Carroll solidifies into a new band with an album out this August.
Over four decades after its release, Virginia Astley’s pastoral blend of piano and field recordings still conjures the English countryside at half speed.
The London producer shifts from 2024’s stark Statik to a brief, grime-inflected single featuring the elusive MC.
The 2007 album, shaped by the band’s visit to the disaster site, gets a physical reissue through Warsaw label Rope Worm.