The Los Angeles band pairs its third album Gotta Get Out with a Victorian-themed video for “Everybody Told Me,” leaning into emo textures and a first fade-out ending.
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The Los Angeles band pairs its third album Gotta Get Out with a Victorian-themed video for “Everybody Told Me,” leaning into emo textures and a first fade-out ending.
The ambient duo’s second collaborative release of the year shifts from their own sonic freedom to the structured frame of a life story.
Channel One Soundsystem’s Mikey Dread talks through the origins of Notting Hill Carnival, the discipline of one-turntable roots reggae, and why the event remains a cross-cultural meeting point.
Disney’s new Ultra HD editions of two Robin Williams films highlight the unusual range of a performer who moved between Oscar-nominated drama and broad comedy without losing precision.
Solid State Logic follows its SSL 2 and SSL 2+ with a smaller desktop interface built for producers who record in the box and need a direct signal path.
The director of “…Baby One More Time” says the concept that defined Britney’s debut was hers, not his—and that he didn’t see superstardom coming.
The Newport artist returns with a sophisti-pop single about the hollow certainty of a failing relationship, ahead of a radio-concept mixtape due in September.
After nearly two decades at Studio 4, the producer behind Turnstile, Title Fight and Circa Survive has built a four-room facility shaped by a key lesson from Rick Rubin: a great recording space is a house wired to sound incredible.
The Southern California band’s Camden show, now resurfacing in live footage, captures the raw energy that made their UK appearances feel less like concerts and more like controlled detonations.
Oskar Brandt arrives with Now or Never, a debut single in orchestral pop, plus a video directed by Sercan Sevindik.
