Headlining the Ohio festival’s opening night, the Brooklyn band played with a looseness that felt like a single mind operating multiple instruments — a live force that refuses to replicate its records.
Headlining the Ohio festival’s opening night, the Brooklyn band played with a looseness that felt like a single mind operating multiple instruments — a live force that refuses to replicate its records.
Questlove’s new film on Maurice White’s band shows how two towering groups from the same city ran strikingly similar routes, from jazz roots to Caribou Ranch to mid-’70s dominance.
In 1999, Ricky Martin’s crossover smash became the first all-digital number one single—built on unstable software and a deliberately dry mix that broke with Latin pop convention.
The concert giant’s new bundle offers four lawn tickets for the price of one, covering hundreds of shows across the U.S. this summer.
Frontman Fernando Ribeiro describes a deliberate turn toward internal darkness and self-acceptance, hinting at a break from past theatricality.
The Detroit rapper and veteran producer dismantle American religious hypocrisy with surgical precision on their most focused collaborative album yet.
The Ghent brass band returns with its largest lineup yet, merging ska-punk energy, pirate theater, and carnivalesque arrangements.
The Polish extreme metal band returns with the title track from their forthcoming full-length, paired with a new video.
The música mexicana group will play nine U.S. stadiums next summer, including Dodger Stadium and Citi Field, marking a new scale of production for the San Bernardino outfit.
Ben Tweel’s Build Buildings project and intermedia artist Molly Gochman join for a collaborative album of glitch-esque loops and manipulated strings, out now on Unending Loop.
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