In their first performance since 2023, Robert Smith’s band paired a festival-headlining set with unexpected deep cuts and the live debut of bassist Eden Gallup.
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In their first performance since 2023, Robert Smith’s band paired a festival-headlining set with unexpected deep cuts and the live debut of bassist Eden Gallup.
John Bowman’s Snack Master project returns with a self-released album that twists braindance mechanics into crooked, overdriven shapes. Across its eight tracks, Rephlex-era instincts collide with a cut‑and‑paste logic that feels built to fall apart.
After years without a dedicated tuner on the market, Fender re-enters the category with a pedal that emphasizes accuracy and stage-ready design.
Colombian sound artist David Vélez spent two months recording England’s River Calder, translating 310 million years of ecological memory—from Carboniferous collapse to modern sewage leaks—into a 70-minute physical release.
The second “Music America” concert brought together rock history, hip-hop, and a Dylan rarity, blurring the lines between curator and performer.
The producer and songwriter begins to formalize his path outside the band, signing with a major publisher as his own catalogue takes shape.
VFX supervisor Thomas Jordan revealed at SXSW London that a “decoy version” of the animated film was used to keep “I Knew It, I Knew You” a secret from most of the production team and early audiences.
A new argument reframes the John Bush years not as an awkward interlude, but as half the band’s story — and maybe its most creatively solid stretch.
‘Remember the Humans’ reflects on loss, memory, and the people who shape a community, marking a shift away from the triumphant crescendos that once defined the band.
The sixth installment in tsx and Sue Tompkins’ ongoing recur series lands with its peculiar internal logic intact, where phone recordings become rhythmic splinters and melody stays deliberately loose.
Rombo Music Discovery
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