Terry Dammit did not arrive with a ready-made story. After years of bands that never quite held together and an early brush with major-label interest that collapsed, he has made a debut album that feels transmitted rather than explained. Evening Powerlines moves through electric guitars, acoustic textures, modular synth and art-rock structures with a restraint …
Dance Again is an album about choosing to stay present and useful even when you know that time does not wait and that nothing is guaranteed. It is music made by someone who has chosen clarity over urgency, and who has decided to keep offering steadiness to other people.
After screaming into the abyss on his third album, the Chicago songwriter returns with five tracks that choose nurture over force. Walls of Love is music that understands connection as work.
The duo treat roots as material that must be lifted and set alight. Across nine tracks they build a sound in which voices, percussion and electronics transform each other without losing their distinct character.
Nathan Wilde’s darksynth project delivers the first single from KISS KISS CUT CUT today. “You’re Pretty When You Panic” drives deeper into aggressive electronics and slasher-film tension while staying unmistakably human-made.
On new single ‘Let’s Play Bongos’, Killian Walsh moves from private reflection toward communal rhythm and the slow return of colour. The latest track from forthcoming album Ise carries personal history into open, hypnotic space.
From his Atlanta home studio NLP Glacier builds a six-track EP of warm, hazy electronics that feels exactly like the first warm days after winter. A close, human review of OSTARA on Lav Circle, the dog on the cover, and the quiet craft inside.
Five tracks of slow-building tension and literary unease. Black Leather Birds turns a sealed room and an ordinary cardboard box into a deeply human meditation on anxiety, presence and what we learn to live with.
Billie J Woolf releases ‘Dumbo’ today. The track arrives as the first statement from a theatrical art-rock project that treats identity as fluid material and breakdown as creative ground. Issued through Not Saints, the UK’s only not-for-profit record label dedicated to sobriety and recovery, the single carries an immediate sense of purpose. It refuses the …
With “Talisman”, released 22 May 2026, the Athens songwriter turns emotional exhaustion into something deceptively bright. Bright, propulsive indie rock carries the weight of surrender without ever letting it break the surface.
