Ready or Not is the song that started Limit State, and it sounds like someone stepping into real life while still listening for the crack in the frame.
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Ready or Not is the song that started Limit State, and it sounds like someone stepping into real life while still listening for the crack in the frame.
The East Midlands songwriter’s first post-university single is out now, cut in two hours in a Lichfield study and filmed among hedges, pavements and a mint Strat that still shows its stickers.
Chapter two of Fais Toi Plaisir is a bilingual love song that starts in English and keeps that promise while the ground under it begins to speak.
Norway’s Romattic treat couplehood as a public habit you keep even after the wrapper goes sour.
Oslo-born singer and actress K-Syran returns with StoneBridge on One Eye On The Road, a hypnotic house cut whose hook keeps circling like a car that will not park.
The Los Angeles songwriter turns a cheap frozen sweetness into electropop built for speed, glare, and a love that never quite arrives.
On Washed Away, Laji George uses the old quiet-loud rock engine to stay inside a memory that refuses to rinse out.
The Melbourne artist’s fourth single begins as private typing and becomes a mid-tempo rock ballad carried by Queenie’s voice. The structure has the shape of a drop-in.
After illness, the Houston singer treats desire as proof of life. The single keeps the lights low and the groove slightly imperfect.
A Facebook line that would not sit still becomes the extra song TaniA Kyllikki and Rynellton never planned to write. HUMAN asks a public question from a private room.
