The second pick in ROMBO’s This Week’s Four open-call series, German duo Glimmer and Fold release “Flying Objects,” a track written during early parenthood that merges personal reawakening with surreal, UFO-tinged imagery and hypnotic indie rock.
The second pick in ROMBO’s This Week’s Four open-call series, German duo Glimmer and Fold release “Flying Objects,” a track written during early parenthood that merges personal reawakening with surreal, UFO-tinged imagery and hypnotic indie rock.
With “Talisman”, the Athens-based songwriter leans fully into the contradiction that has come to define his music: bright, summery momentum wrapped around a core of quiet collapse. Released 22 May 2026, the track refuses easy catharsis. Instead it lets illusion fray slowly, one repeated reassurance at a time. Ahead of what appears to be his …
With “Talisman”, released 22 May 2026, the Athens songwriter turns emotional exhaustion into something deceptively bright. Bright, propulsive indie rock carries the weight of surrender without ever letting it break the surface.
The reissue arrives August 14 via Pure Noise Records, with an acoustic version of “Lead Feet” out today.
After a No. 1 single and a debut album, the Nashville trio’s frontman is already focused on doing better.
The Radiohead frontman recalls the instant recognition when he first put on “Nevermind” in 1991.
Brian Connolly debuts as The Tacet Mode with a meticulously produced indie-rock record that fuses 1980s atmospheric lineage and contemporary clarity. Produced by Alex Newport with guitar work from Leo Abrahams, Not How You Color maps transformation, ego, and authenticity across fourteen tracks of controlled emotional weight.
On a new episode of Lipps Service, the band unpack their fourth post-reunion record, the documentary years in the making, and an unlikely friendship with Paramore’s Hayley Williams.
Billy Corgan confirmed on his Substack that he, James Iha, and Jimmy Chamberlin tracked a new single with the producer of Gish and Siamese Dream. The song is 98% finished and planned for release this year.
The UK band’s new album finds its footing not in volume but in mood, pulling from a time when songwriting carried more weight than style.