The Nashville musician’s latest solo record moves through instrumental spaces that owe as much to post-rock restraint as to chamber music precision, without ever losing sight of an emotional core.
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The Nashville musician’s latest solo record moves through instrumental spaces that owe as much to post-rock restraint as to chamber music precision, without ever losing sight of an emotional core.
The Derbyshire trio and London pianist transform their 2019 live commission for a nearly complete cut of Menschen am Sonntag into a ten-track album that stands alone.
The former Daft Punk member returns with a ballet score that trades electronic spectacle for physical precision.
