On their collaborative album, Luciano Chessa and François Larini build a meditative but mischievous sound world from the French Riviera’s less obvious cultural landmarks.
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On their collaborative album, Luciano Chessa and François Larini build a meditative but mischievous sound world from the French Riviera’s less obvious cultural landmarks.
The latest from Victor Vieira-Branco’s group deepens its chemistry with the addition of pianist Sam Yulsman, resulting in music that’s both disorienting and carefully shaped.
In conversation with A.G. Syjuco about solitude, domestic dread, family legacy and the intimate new EP that turns an unopened box into a profound meditation on presence.
Fire-Toolz makes her Warp debut with Lavender Networks, a ten-track album in which metal, glitch and ambient drift form one precise emotional transmission.
Jane Remover has constructed one of the most distinctive bodies of work in contemporary music by treating genre not as container but as material under constant stress. Their sound moves through distinct phases, early digicore precision, hyperpop fracture, shoegaze expansion, and the hybrid large-scale urgency of recent releases, yet the central method remains unchanged: forms …
The Leeds duo return with an album that channels China Miéville’s idea of crisis energy into a visceral, uncompromising listen.
The influential avant-garde festival No Fun Fest will stage a three-day comeback in Brooklyn this July, featuring Lee Ranaldo, Zola Jesus, and a roster of experimental artists.
A look at how today’s underground lives across SoundCloud, Bandcamp, local scenes and hybrid artists who treat genre as material rather than destiny.
