The Iranian sound artist’s new four-part electroacoustic work preserves the discipline of earlier metaphysical albums but turns its focus to crimes against humanity.
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The Iranian sound artist’s new four-part electroacoustic work preserves the discipline of earlier metaphysical albums but turns its focus to crimes against humanity.
The record blends cassette-warped guitar, birdsong, synths, zither, and Rhodes into an ambient language that refuses easy placement.
The cross-continental duo of Johanes Pribadi and Shigeru Ishihara returns with a collaborative album built from Indonesian and Japanese percussion, industrial texture, and hard rhythm.
Taja Cheek’s latest album as L’Rain is a meticulously random collage that rewards attention, not patience.
The Irish composer’s first work for ensemble documents a single day in an ecosystem stripped by industry, making a quiet but urgent case for listening as a form of witness.
The Russian-born, Berlin-based producer lets his guard down on a new self-released EP, trading sharp electronics for acoustic drift and fractured rhythms.
The Italian composer’s debut album, recorded with analogue and modular synthesis in the Tuscan Apennines, treats personal loss not as a narrative to be resolved but as a landscape to inhabit.
After more than 15 years, The Durutti Column return with an album that extends their solitary path through atmosphere and texture, refusing easy categorization.
The Polish trio behind the fictional figure use rhythm, memory and fractured biography to craft an album that resists easy resolution.
The cassette label that started in South London marks a decade with new releases, a film screening, and plans for a ritualistic outdoor recording in the Peak District.
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