The North Carolina duo maps the erasure of Ellenton, South Carolina, for nuclear weapons through a weave of old-time Appalachian folk and tape-loop experiment.
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The North Carolina duo maps the erasure of Ellenton, South Carolina, for nuclear weapons through a weave of old-time Appalachian folk and tape-loop experiment.
The quietly essential label adds a pair of albums from memorysound and Spectrical, each mapping fragile inner and outer landscapes through texture and restraint.
The Days Pass Quickly Immersed in the Shadow of Eternity channels the imagination of early humans who first carved flutes from bone. Written for medieval flautist Norbert Rodenkirchen, the record extends Bertucci’s long engagement with psychoacoustic woodwind layering into older, less documented territory.
The Turin festival will take place across four venues in June and September, featuring a new work developed with Nyege Nyege.
Their first full-length as a unit, ‘They Came Like Swallows’, ends with a version of ‘Insight’, the Joy Division track where music continues even when resolution never arrives.
The American composer trades processing-heavy electronics for untreated voice and analogue warmth on his new Shelter Press album.
Two of the underground’s most formidable drummers face off across a split album that highlights their differences more than their common ground.
Jim Ghedi abandons pastoral folk for something darker and more menacing on his new single.
At its 18th edition, the Baltic festival balanced forward-looking curation with the deep, resonant frequencies of its own history.
The Dublin composer’s vast, overlooked catalogue forms a parallel history of Irish experimental music.
