Two decades of self-taught production culminate in an album that turns mental health struggle and hostile landscapes into generative order.
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Two decades of self-taught production culminate in an album that turns mental health struggle and hostile landscapes into generative order.
The Catalan composer’s self-released record, inspired by Joseph Campbell’s hero’s journey, arrives October 9 and incorporates Balinese gamelan.
The Italian artist leaves narrative behind, recording eight guitar-and-pedal studies in the French Cévennes that treat silence as a compositional material.
Mark Nelson returns to his Pan•American project with a solo LP that maps the liminal space of airports and airplanes onto the transformations of family, loss, and the long road home.
The former Outkast rapper turns his piano EP into a visual journey, co-written with Graham Mason and streaming exclusively on the subscription platform.
Rati Oniani’s new album doubles as a soundtrack to a documentary about his grandfather, weaving Svaneti folklore and progressive experimentation into an archive of personal memory.
Across four succinct pieces, the Tokyo-based composer uses the sounds of storms, lawnmowers, migrating geese, and winter fires to trace the calendar’s moods, with help from Ayako Fujii and Dan West.
The album uses a thematic tagging system to reorganise field recordings, producing collages where water phases, animal calls, and electromagnetic fields collide with unforced logic.
The album mines declassified recordings and Indonesian horror to ask hard questions about democracy, power, and historical amnesia.
The remote collaboration collects sound memories from London, Japan, and New Zealand, then pairs them with a custom fragrance to anchor a quiet meditation on travel and environmental loss.
