The Guatemalan cellist and the US guitarist built an album from file exchanges, finding an uncanny chemistry that sidesteps their usual lanes.
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The Guatemalan cellist and the US guitarist built an album from file exchanges, finding an uncanny chemistry that sidesteps their usual lanes.
The avant-garde icon’s new live album with Sexmob offers no easy answers, just a sobering record of a precarious time.
On ‘Paradessence,’ Spencer Doran and Ryan Carlile return with a record of chiseled ephemera, informed by a Portland scene that still shapes their process.
The second album from Shigeru Ishihara and Johanes “Mo’ong” Santoso Pribadi pushes further into the dissonant space where traditional Indonesian and Japanese music meet metal, electronics, and breakcore, shaped by a concept of volcanic terrain.
The Days Pass Quickly Immersed in the Shadow of Eternity brings together modular composition, medieval instrument replicas, and a 40,000-year-old swan bone flute.
The North Carolina duo maps the erasure of Ellenton, South Carolina, for nuclear weapons through a weave of old-time Appalachian folk and tape-loop experiment.
The quietly essential label adds a pair of albums from memorysound and Spectrical, each mapping fragile inner and outer landscapes through texture and restraint.
The Days Pass Quickly Immersed in the Shadow of Eternity channels the imagination of early humans who first carved flutes from bone. Written for medieval flautist Norbert Rodenkirchen, the record extends Bertucci’s long engagement with psychoacoustic woodwind layering into older, less documented territory.
The Turin festival will take place across four venues in June and September, featuring a new work developed with Nyege Nyege.
Their first full-length as a unit, ‘They Came Like Swallows’, ends with a version of ‘Insight’, the Joy Division track where music continues even when resolution never arrives.
