After more than 15 years, The Durutti Column return with an album that extends their solitary path through atmosphere and texture, refusing easy categorization.
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After more than 15 years, The Durutti Column return with an album that extends their solitary path through atmosphere and texture, refusing easy categorization.
The Polish trio behind the fictional figure use rhythm, memory and fractured biography to craft an album that resists easy resolution.
The cassette label that started in South London marks a decade with new releases, a film screening, and plans for a ritualistic outdoor recording in the Peak District.
toppe bianche 白色补丁 treats the environment not as interference but as co-author, using glissandi, white noise, and the arch itself to collapse the distance between composition and life.
The multi-instrumentalist’s live improvisations, captured between 2022 and 2025, embrace impermanence, risk, and the quiet friction of real-time creation.
After a period of post-‘Kick’ burnout and a turn toward painting, the Barcelona-based artist returns with a record that reconnects to her early mixtape lineage and the dystopian transmission of ‘@@@@@’.
The duo of Magdalena McLean and Annabelle Mödlinger — known from caroline and the Umlauts — will release *Put Rings On All My Fingers To Weigh Down My Hands* in September via Scenic Route.
The Brazilian artist’s first album under his own name assembles years of scattered recordings into a fragile, quietly defiant whole. It moves at the edge of silence, treating grief not as an ending but as a condition to inhabit.
Renata Frana and Antonella Bianco build music as a space of listening, where dilruba, electronics, and field recordings circulate freely—suggesting geographies without claiming them.
The experimental outfit releases a new album drawn from David Lynch’s debut film soundtrack, captured through live performances and memory.
