Their first full-length as a unit, ‘They Came Like Swallows’, ends with a version of ‘Insight’, the Joy Division track where music continues even when resolution never arrives.
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Their first full-length as a unit, ‘They Came Like Swallows’, ends with a version of ‘Insight’, the Joy Division track where music continues even when resolution never arrives.
The American composer trades processing-heavy electronics for untreated voice and analogue warmth on his new Shelter Press album.
Two of the underground’s most formidable drummers face off across a split album that highlights their differences more than their common ground.
Jim Ghedi abandons pastoral folk for something darker and more menacing on his new single.
At its 18th edition, the Baltic festival balanced forward-looking curation with the deep, resonant frequencies of its own history.
The Dublin composer’s vast, overlooked catalogue forms a parallel history of Irish experimental music.
From a local commission to a global fixture, The Hague’s Rewire festival has built its identity on a commitment to sonic diversity.
The Riga festival expands its October lineup with new names from experimental pop, jazz, and electronic music.
After two previous attempts, the guitarist and trumpeter finally capture their collaborative album, a document of intuitive dialogue set for release this June.
A new 63-track benefit compilation features contributions from Wendy Eisenberg and The Soft Pink Truth, with all proceeds supporting the Immigrant Defense Project.
