The Kyoto-born, Oslo-based composer’s seventh album treats electronic form as a votive object. Nine tracks hang where a wooden plaque would go.
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The Kyoto-born, Oslo-based composer’s seventh album treats electronic form as a votive object. Nine tracks hang where a wooden plaque would go.
On the Austin artist’s second album of 2026, carnival brass, industrial panic, and a stolen presidential warning become a private museum of unfinished hauntings.
Stephen Mallinder and Chris Watson have returned the industrial project to the stage, with sold-out European dates now followed by a US run tied to the 1987 album CODE.
Dave Angel returns to R&S Records with Apocalypse, a cold, tension-driven techno single that turns observation into rhythm ahead of the album A Time And Place.
Nicolas Ladoux returns to his IKKo moniker with a five-track release that understands EBM’s physical demands and post-punk’s brittle spirit.
The Godflesh and Jesu figure is credited on “Bobby” and “Best Dressed,” placing his industrial weight inside an unexpected cultural context.
The band’s new full-length, released via Relapse Records, grapples with information overload and the collapse between online and physical reality.
On “Through The Slow Dusk,” the Seattle project fuses anarcho-punk urgency with industrial decay to confront climate breakdown and political paralysis—no comfort offered, no apologies made.
Written during her first two years as a Ukrainian refugee in Berlin, Alisa Nedashkovska’s debut EP as Travis or Alice uses fractured electronics to explore the gap between identity and geography.
The Lisbon trio tightens their krautrock-industrial hybrid into a clipped, relentless charge, trading longform improvisation for raw immediacy.
