Written during her first two years as a Ukrainian refugee in Berlin, Alisa Nedashkovska’s debut EP as Travis or Alice uses fractured electronics to explore the gap between identity and geography.
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Written during her first two years as a Ukrainian refugee in Berlin, Alisa Nedashkovska’s debut EP as Travis or Alice uses fractured electronics to explore the gap between identity and geography.
The Lisbon trio tightens their krautrock-industrial hybrid into a clipped, relentless charge, trading longform improvisation for raw immediacy.
The electronic pioneers add September dates across the U.S. and Canada, joined by I Speak Machine, as they prepare to close their farewell tour in Europe this October.
The 2007 album, shaped by the band’s visit to the disaster site, gets a physical reissue through Warsaw label Rope Worm.
The electronic producer’s latest album works through fractured rhythms and dense digital decay, arriving at something unexpectedly coherent.
The new single walks a line between cold electronics and physical urgency, paired with a visual that sharpens the track’s edge.
Adam Michael Kozak returns with an album that trades comfort for corrosion, driven by abrasive textures and a sense of lived-in darkness.
The Slovenian group’s latest record doesn’t target a single artist. It goes after the entire machinery of modern pop, with a little help from producer Richard X.
The long-teased collaborative LP between Trent Reznor, Atticus Ross, and Alexander Ridha is set for release on April 17.
The industrial-dance veterans link with Princess Superstar for a first new single in eight years, a track built for their upcoming US tour.
