The Stockholm composer’s debut for Young is short, baroque, and bodily. Ten pieces, barely twenty-three minutes, and a rare colour pressed out of pressure.
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The Stockholm composer’s debut for Young is short, baroque, and bodily. Ten pieces, barely twenty-three minutes, and a rare colour pressed out of pressure.
The Swedish producer’s first full-length lands September 25 via Young, anchored by a process of bodily re-rooting.
