The singer-songwriter returns June 12 with ‘you seem pretty sad for a girl so in love,’ a record that pushes beyond teenage diaristic pop, produced by Daniel Nigro and spotlighted by over 200 record shops opening at midnight.
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The singer-songwriter returns June 12 with ‘you seem pretty sad for a girl so in love,’ a record that pushes beyond teenage diaristic pop, produced by Daniel Nigro and spotlighted by over 200 record shops opening at midnight.
The bedroom-pop singer’s third album arrives with a 29-date North American run that moves him from festival stages to marquee rooms like Radio City Music Hall and the Greek Theatre.
The singer debuted the Oscar-positioned ballad “I Knew It, I Knew You” before trading verses with the Disney legend on “You’ve Got a Friend in Me.”
On Track Star, Lopez recounted being advised to change “Feelin’ So Good” because it echoed Houston’s “It’s Not Right But It’s Okay.” She stuck with the song and praised Houston as an unmatched vocalist.
The Welsh singer behind “Mercy” will play an intimate London show this July, her first since retreating from public life following a violent assault.
In Oakland, the singer returned to the stage for the first time since 2019, weaving live debuts and catalog highlights into a 23-song set.
Opening night in Oakland inverted old stadium rituals. Before the first chorus of “Eternal Sunshine,” Grande asked 17,000 people to stop screaming and let her build a live vocal loop from scratch.
The new song, written with Jack Antonoff, draws on Jessie’s storyline and Swift’s own childhood nostalgia, arriving alongside a tightly run merch strategy.
A trap-pop single that sidesteps the flattening effect of many hybrid collaborations, letting both artists operate at full strength.
Jack Antonoff’s fifth Bleachers album turns a phone setting into a lens for examining fame, friendship, and the spaces where private life meets public record.
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