The Brighton quartet’s second album channels post-breakup chaos into a vibrant, percussive indie-pop record that feels both volatile and assured.
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The Brighton quartet’s second album channels post-breakup chaos into a vibrant, percussive indie-pop record that feels both volatile and assured.
The Sydney post-punk band returns with a sharp, questioning single, marking their first release for the label founded by King Gizzard.
The Danish band returns with their first album in five years, a self-produced set recorded at the studio where they made ‘Plowing Into the Field of Love’.
The post-punk group schedules festival dates and releases “No Kings Here!” after previously marking their final shows.
Joni Samuels moves from the scuzzy duo Fräulein to a solo project built on quieter, more introspective confrontation.
The Australian trio built a dense, atmospheric sound through daily writing rituals and a patient, isolated process.
The Manchester-based group builds a world of controlled dissonance, where industrial rhythms meet a confrontational and compelling vocal presence.
The former Lush frontwoman trades layered gauze for stark, wiry arrangements in a single that finds resilience in isolation.
The duo’s new EP ‘EPEEPEE’ arrives with a playful, unpretentious energy, recently earning them a support slot for Sleaford Mods.
The Providence punk band announces their first full-length since 2016, sharing the new single “No Me Jodas.”
