The band’s latest full-length filters Western-tinged guitar lines through post-punk, landing as a focused set with clear regional roots.
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The band’s latest full-length filters Western-tinged guitar lines through post-punk, landing as a focused set with clear regional roots.
The Dublin band follows the platinum-certified Romance with a harder, more corrupted-sounding record produced by James Ford.
The Belgian band’s latest album finds them pulling black metal and post-punk into the same room, with atmosphere remaining the only constant across their shifting forms.
Fujiya & Miyagi return with New Shiny Object, out October 30, and share the taut lead single “Lowest Common Denominator.”
Vini Reilly returns after more than fifteen years with a record that moves further into the unperturbed and unpretentious, made after strokes that should have silenced his guitar.
Seven years after their last LP, the band rediscovers the melodic aggression that once defined them, without retracing their steps.
Three essential late-’80s studio albums from the Australian band will be available individually on vinyl for the first time since their original release, alongside a previously unissued live set.
After more than 15 years, The Durutti Column return with an album that extends their solitary path through atmosphere and texture, refusing easy categorization.
The Nottingham band returns with a pointed look at routine existence, alongside details of their November LP via Submarine Cat.
On their third album, the Leeds band swaps electronics for a tighter rock sound while James Smith stretches his voice from rap to croon, exploring a world stripped of deeper meaning.
