The Japanese instrumental group’s new album, *Snowdrop*, channels the late producer’s spirit through Brad Wood and a full choir and orchestra.
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The Japanese instrumental group’s new album, *Snowdrop*, channels the late producer’s spirit through Brad Wood and a full choir and orchestra.
The Nashville musician’s latest solo record moves through instrumental spaces that owe as much to post-rock restraint as to chamber music precision, without ever losing sight of an emotional core.
The Northampton/Milton Keynes four-piece sharpen their instrumental attack with new single “Maat Mons” ahead of a September release on grassroots label Vandalism Begins At Home.
Marc Byrd’s LSD-influenced misreading of a moonrise as the Second Coming led to an album that sheds toxic religion while holding onto the beautiful and true. The result is some of the duo’s loudest, most textured post-rock yet.
The longtime Warp act pares everything back on a new full-length that follows two 2024 mini-albums.
