The Chicago instrumental group’s second preview from Begin Yr Singing trades the twitchy energy of their debut single for chunky, riff-driven guitar work.
Menu
The Chicago instrumental group’s second preview from Begin Yr Singing trades the twitchy energy of their debut single for chunky, riff-driven guitar work.
The Massachusetts post-rock quintet return with their first record in six years, due October 16 via Wax Bodega.
The debut from Acid Brain moves through prog, sludge, stoner rock, and free improvisation while keeping every turn tied to a seven-part fantasy narrative.
Three decades after Maxinquaye, Tricky delivers a raw, collaborative album that feels less like a comeback than a continuation.
The Pavia band’s tenth-anniversary release adds a viola and draws on the Stella Maris devotion for a single, sweeping suite about peril and prayer at sea.
Recorded in the wake of Steve Albini’s death, the Japanese post-rock band’s 13th album moves with a gentle, consoling restraint.
The Japanese instrumental group’s new album, *Snowdrop*, channels the late producer’s spirit through Brad Wood and a full choir and orchestra.
The Nashville musician’s latest solo record moves through instrumental spaces that owe as much to post-rock restraint as to chamber music precision, without ever losing sight of an emotional core.
The Northampton/Milton Keynes four-piece sharpen their instrumental attack with new single “Maat Mons” ahead of a September release on grassroots label Vandalism Begins At Home.
Marc Byrd’s LSD-influenced misreading of a moonrise as the Second Coming led to an album that sheds toxic religion while holding onto the beautiful and true. The result is some of the duo’s loudest, most textured post-rock yet.
