The Philadelphia band’s first music since LOTTO finds Doug Dulgarian and Dimitri Giannopoulos trading lines over a shifting guitar arrangement.
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The Philadelphia band’s first music since LOTTO finds Doug Dulgarian and Dimitri Giannopoulos trading lines over a shifting guitar arrangement.
Marc Byrd’s LSD-influenced misreading of a moonrise as the Second Coming led to an album that sheds toxic religion while holding onto the beautiful and true. The result is some of the duo’s loudest, most textured post-rock yet.
The Queens band’s second album channels grungy shoegaze to sketch the heavy weight of existence, yet refuses to sink entirely.
The musician and broadcast journalism student brings her shoegaze sensibilities to festival coverage at Kilby Block Party.
A sold-out, multi-generational crowd at Brooklyn Paramount heard live premieres of three songs from the Illinois band’s 2020 album.
Jane Remover has constructed one of the most distinctive bodies of work in contemporary music by treating genre not as container but as material under constant stress. Their sound moves through distinct phases, early digicore precision, hyperpop fracture, shoegaze expansion, and the hybrid large-scale urgency of recent releases, yet the central method remains unchanged: forms …
The band confirms three nights at the London institution this November, their first shows there since a landmark 2013 performance.
The former Lush frontwoman trades layered gauze for stark, wiry arrangements in a single that finds resilience in isolation.
