From a former electrical store near Hamburg, Witte turns the exact measurement of absence into a song of restraint, irony and quiet emotional weight.
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From a former electrical store near Hamburg, Witte turns the exact measurement of absence into a song of restraint, irony and quiet emotional weight.
The cross-continental duo of Johanes Pribadi and Shigeru Ishihara returns with a collaborative album built from Indonesian and Japanese percussion, industrial texture, and hard rhythm.
The source material concerns online casino licensing and gambling regulation. This is not a music-related topic — there is no artist, release, concert, label, scene, or music industry subject to build an article around. It falls outside Rombo Magazine’s editorial scope. EXCLUDE
A video shared by his family shows the 10-year-old with Fragile X syndrome singing along to his favorite band during their recent Chicago show.
The guitarist says he was terminated in 2024 after refusing a lineup change that brought in his sister’s husband, and has launched a new project called WOLVESofJUNE.
Hayley Williams and producer Daniel James follow their debut as Power Snatch with EP2, a four-track set of ’90s-informed alt-rock and trip-hop.
The Brooklyn artist returns on October 23 with a 10-track Dead Oceans LP and the single “She Doesn’t Love Me,” a bittersweet turn from heaviness toward communal release.
The track predates their 2022 debut but finally gets a studio version on The Underworld, out October 16 via Run For Cover.
The follow-up to *Beethoven Blues* continues Batiste’s piano series, reframing classical music through the lens of Black American traditions. An August release follows a dramatic four-night London residency at KOKO.
The former Brooklyn Vegan editor’s debut book charts the messy, often contradictory networks of the 2010s emo underground.
