The updated sampling workstation adds a 4-inch touchscreen, onboard power, and USB audio streaming.
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The updated sampling workstation adds a 4-inch touchscreen, onboard power, and USB audio streaming.
The Polish hardware maker brings analogue synthesis, digital oscillators, and sample playback into a single aluminium box designed for performance.
The second single of 2026 from Josh Tillman is a fuzzed-out, ELO-indebted track co-produced with Drew Erickson, following January’s “The Old Law.”
On “Punching the Flowers,” Death Cab for Cutie return with a song that feels wiry, compressed, and quietly brutal, turning emotional inertia into a piece of indie rock that moves with real pressure. Released on April 27 as the second single from I Built You A Tower, the track suggests a record more interested in …
A new feature revisits the label’s chaotic founding and spotlights records that never got the attention they deserved.
Rise Up, Sing Out brings Fonda, Patti Smith, and Rufus Wainwright together for a free streaming event on June 14, with watch parties across the country.
The Guatemalan musician returns with a record that deepens his inquiry into Maya identity, threading ancient tradition through the everyday pulse of barrio sound.
The North London songwriter opens her account with a track about leaving things behind, produced by Hugo M. Hardy.
The Texas songwriter shifts to Lost Highway Records for a 13-track record about stillness, geography, and the pull of rural life.
Fifteen years after its official release on XL Recordings, Jai Paul’s “BTSTU” remains a touchstone for texture, restraint and emotional architecture in electronic music. We examine its precise cultural footprint and the lessons it still holds for makers.
