The Richmond solo project adds two new fuzz-pop cuts to a growing catalog, marking James Goodson’s first output of 2026 just as he prepares to open for Sleaford Mods.
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The Richmond solo project adds two new fuzz-pop cuts to a growing catalog, marking James Goodson’s first output of 2026 just as he prepares to open for Sleaford Mods.
On their fourteenth album, The Black Keys turn to a set of covers and, in the process, recover something more valuable than novelty: touch, weight, and the friction that once made their music feel alive
In the hushed afterglow of Tranquilizer, Oneohtrix Point Never exhales “Dim Stars / For Residue (Extended),” a double helix of microtonal drift and unstable intimacy via Warp Records.
The band leaves Run For Cover after more than a decade and works with a new producer for the first time. Two tracks are out now.
The Leeds band’s ‘You’re Gonna Need A Little Music’ arrives on July 17 via Island Records, produced by Justin Meldal-Johnsen during an uninterrupted five-month session.
The Leeds duo return with an album that channels China Miéville’s idea of crisis energy into a visceral, uncompromising listen.
Schranz resurges in 2026: Berlin’s raw hard techno from ’97—Felix Kröcher tours, 83% SoundCloud growth. Warehouse energy meets transatlantic circuits.
The London five-piece, longtime regulars at the celebrated venue, release ‘Are we friends yet?’ on Young, wrapping violin, guitar and drums around songs built for motion.
The lightweight 37-key instrument puts sound shaping directly under the player’s hands, no menu diving required.
The songwriter behind some of pop’s biggest turns turned the camera on herself, unwittingly, and what emerged carries the weight of family, illness, and survival.
