The 16-track XL Recordings release gets its first public airing via an immersive broadcast.
The 16-track XL Recordings release gets its first public airing via an immersive broadcast.
The four-piece follows up earlier track ‘That’s Me’ with a new cut from their September full-length, ‘Put A Smile On For Me’.
As SZA, Doja Cat, and others voice frustration, producer Mike Sabath challenges the assumption that unlicensed AI training is an unstoppable wave.
The London quartet’s new single excavates the persistence of people and memories long after they’ve vanished, setting the tone for a debut album that trades perfection for candor.
The Cambridge band balances a return to guitar-driven heaviness with the psychedelic synth confidence of their recent work on the title track, out now.
A collection of home-recorded sketches and field recordings from her time in Hole and The Smashing Pumpkins surfaces alongside a Toronto exhibition.
A diverse set of co-signs—from AJ Tracey to Bonehead—frames the arrival of a single that refuses genre loyalty.
During a podcast appearance, the Journey keyboardist and conservative advocate said Springsteen should keep his political views off the stage, while defending his own right to hold them. Both men are 76.
The London artist’s new single, recorded in a quick-fire session with Dan Carey, arrives with a self-directed video that mixes shoplifting and parkour on the streets of Brighton.
Frankie Beanie launches his new project by rejecting LA’s “vibes-based” culture, drawing on his Liverpool years to craft something that puts the music first.
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