Skrillex

Artist

Skrillex

9 stories on ROMBO

New Music Friday: Madonna’s Confessions II, mary in the junkyard’s Role Model Hermit & More

This Friday’s releases trace artists who work with legacy and reinvention in equal measure. Some expand into high-gloss pop statements or immersive rage worlds that demand sustained attention. Others step into debut territory or precise moments of emotional directness and suburban reckoning. Madonna channels mid-2000s club euphoria into a direct sequel that tests how much space a pop icon can still command. mary in the junkyard crystallises cultish singles into an art-rock debut built on intimate chaos and theatrical delivery. Smirk pivots from speed-freak punk toward measured power-pop that renders suburban malaise with nervy precision. Sienna Spiro arrives with a polished pop-soul introduction framed for long-term presence. Ken Carson extends the maximalist rage sound into longer-form world-building. Rico Nasty leans into playful trap character, Addict delivers a slow-burn meditation on distance and belonging, and Skrillex and Solomun bridge scenes with a festival weapon built on detailed architecture. What connects them is a clear sense that music holds weight when it respects the time it asks from the listener.

By Dario Klein 6 min read

New Music Friday: From Skrillex’s SOMA to horsegiirL’s Ritual Debut & More

This Friday’s releases trace a line between two distinct approaches to making music that feels necessary right now. Skrillex delivers a compact, surprise fifth album that folds Brazilian phonk, progressive house and underground techno into a single focused journey. horsegiirL presents her debut as both persona and proposition, a fifteen-track eco-anxious fairytale grown out of ritual and shaped for the speed of the present. The releases in between and around them share the same refusal to waste time or attention.