Slayyyter Cancels Remaining UK and European Tour Dates Due to Laryngitis and Vocal Cord Tears
Slayyyter has cancelled the remaining UK and European dates on her Wor$t Girl in the World tour after being diagnosed with laryngitis and vocal cord tears.
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Slayyyter has cancelled the remaining UK and European dates on her Wor$t Girl in the World tour after being diagnosed with laryngitis and vocal cord tears.
This Friday’s releases share a preference for frame over noise. Fatima Al Qadiri turns West Asian folk dance into designed club form. Marina Herlop builds one continuous structure and releases it herself. Dawn Richard treats Creole identity as forward motion, not heritage costume. HAAi walks her last album onto the floor. Girl Ultra makes romance a performance with its own mythology. Jeremiah Chiu works the edge between synthetic and acoustic systems. Slayyyter slows suspicion into grunge-pop. Interplanetary Criminal keeps the release functional for the room it is built for. What binds them is an understanding that presence is earned through control.
The single is her first new music since announcing Wor$t Man in America, due December 4, and its self-directed video sets starlet styling against a raccoon pelt and a lit charcoal grill.
Slayyyter’s next album arrives Dec. 4 via Columbia, built as an inverse companion to her breakout record, with nine tracks that answer it point by point.
The reported arrival lands during a quieter stretch for an artist whose public image has long been part of the work itself.
Charli xcx’s pop-focused headline set and a surprise appearance by Olivia Rodrigo with Smashing Pumpkins defined the festival’s second night in Chicago.
The new track lands as the pop contrarian begins her Worst Girl in the World run, sharpening a stance against artificiality.
The hardcore band’s new North American run pairs them with everyone from Clipse to Boy Harsher, treating each city as its own event.
Backstage at Governors Ball, the pop artist shuffled through songs and revealed a clear new direction: heavier textures, stranger sounds, and music that feels a little bit wrong.
The French producer’s first single brings in the nu-sleaze singer for an anthemic track about love as conflict, bridging American hyperpop with European electronic sheen.