The pop star’s response to a wave of criticism over her animal rights stance didn’t soften the message. It clarified it.
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The pop star’s response to a wave of criticism over her animal rights stance didn’t soften the message. It clarified it.
Two years after previewing Eternal Sunshine in tears, Grande returned to the same room with a sharper, more instinctual record. Petal arrives July 31 via Republic.
After a string of Spanish-language releases, the Colombian singer-songwriter shifts to English with an acoustic ballad that previews her upcoming EP.
John Wohlmacher’s new essay series for Beats Per Minute digs into the “best since Scary Monsters” narrative that followed Bowie after 1980, starting with a focused look at the 1983 album.
Before her current intimate solo run even ends, Williams reveals a larger North and Latin American tour starting in September.
The Texas band added a second North American leg after a breakout year, with new stops in Los Angeles, Austin, and more.
The updated sampling workstation adds a 4-inch touchscreen, onboard power, and USB audio streaming.
The Polish hardware maker brings analogue synthesis, digital oscillators, and sample playback into a single aluminium box designed for performance.
The second single of 2026 from Josh Tillman is a fuzzed-out, ELO-indebted track co-produced with Drew Erickson, following January’s “The Old Law.”
On “Punching the Flowers,” Death Cab for Cutie return with a song that feels wiry, compressed, and quietly brutal, turning emotional inertia into a piece of indie rock that moves with real pressure. Released on April 27 as the second single from I Built You A Tower, the track suggests a record more interested in …
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