The duo mapped out a 28-date North American run for this fall and teased a new track that channels their signature bass-heavy attack.
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The duo mapped out a 28-date North American run for this fall and teased a new track that channels their signature bass-heavy attack.
The electronic producer maps the tensions between technology, collapse, and resistance on his new album, out September 26. First track “Computer Love” is streaming now.
The French collective’s third album La Lune Dont Mon Âme Est Pleine arrives June 12 via Lay Bare Recordings. The first single unspools a vicious collaboration with the Sigh mastermind alongside a video shot over nine months.
The Days Pass Quickly Immersed in the Shadow of Eternity brings together modular composition, medieval instrument replicas, and a 40,000-year-old swan bone flute.
The group’s first headline arena run will cross three continents this fall behind the new EP ‘WILD.’ Member Manon will not take part due to a health-related hiatus.
Jake Robertson trades conceptual layers for a 17-track punk barrage, with lead single “Live Like The Crowd” and a claymation video by Sean McAnulty.
The West Yorkshire band’s third album channels years of personal upheaval and a darkening political climate into their sharpest, most direct work yet.
The woman whose name inspired one of modern rock’s most recognizable acts has died. Gretna Van Fleet was 95.
Directed by Joe Ward and set inside a narrow tunnel lit with clinical precision, the official video for “Blondie” arrived on May 15 as the first statement from Bladee’s new album, now released today on Trash Island.
After the maximalist sprawl of Cold Visions, Bladee returns with a single-producer statement that leans into emotional intensity and textural restraint. Sulfur Surfer, released today on Trash Island, finds the Swedish artist and longtime collaborator Whitearmor narrowing their shared palette into something darker, heavier and unusually cohesive.
