The Cradle of Filth frontman explains how the band’s cinematic extreme metal is built around a surprisingly minimal personal rig and file sharing across borders.
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The Cradle of Filth frontman explains how the band’s cinematic extreme metal is built around a surprisingly minimal personal rig and file sharing across borders.
The Cyprus-based project of Aleph closes a two-year descent with three tracks that keep the wound in view. A conversation about the rooms built since 2024, the grain of the voice, and what happens when the fall finally points somewhere.
Written before the lockdown rooms, recorded inside them, then left to sit while life got loud again, the Sydney songwriter’s debut EP finally gathers five tracks that treat love as something you develop slowly, frame by frame.
The Berlin duo returns to the material from Harmony with a new Dylan Brady–produced club track and a run of North American shows this fall.
M & J’s She’s COSMIC light takes a New Year’s Day photograph from Bondi and turns it into two and a half minutes of clean, forward dance-pop.
The North American run starts September 8 in Sacramento and includes stops in Chicago, Toronto, Brooklyn, and Los Angeles, with get-in prices currently ranging from $50 to $180.
The trailer for Cyrus’ tenth album presents her simply as “Miley,” a shift her father Billy Ray Cyrus describes as a natural progression.
Four tracks on SEQ:RUN work within electro’s familiar vocabulary while pushing its grammar into stranger, more physical territory.
The German drummer tested more than 50 snares before settling on a model built for low-end depth, snare-wire clarity, and a deliberately vintage look.
The initial look at the 96-minute film about the late Rush drummer has surfaced, giving the project a public shape.
