At The Great Escape, Caity Baser gave a surprise performance on the CLASH stage, drawing a crowd that snaked down the street. It was a brief, fitting return for an artist who cut her teeth in the city.
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At The Great Escape, Caity Baser gave a surprise performance on the CLASH stage, drawing a crowd that snaked down the street. It was a brief, fitting return for an artist who cut her teeth in the city.
From East Village anti-folk rooms to a Capitol imprint deal, film soundtracks, a Wall Street detour, and a catalog reclaimed on Meridian, Jamie Block has never stopped writing with the same unsentimental clarity. A career-spanning look at the songwriter behind Love Crash.
Thirteen years on, Block’s sixth album maps personal wreckage through ten sharply observed songs. Produced by Chris Kuffner and mixed by Blake Morgan, Love Crash refines the New York anti-folk voice into something quieter, more urgent, and unflinchingly present.
A week of major heavy music news, from a historic Metallica concert to Brann Dailor’s first words on Brent Hinds’ exit and an unexpected pairing of A Perfect Circle and Puscifer.
Ahead of an Australian tour, the producer revisits early pushback against making hip-hop with a computer, his love for Blade Runner, and a very personal gift.
A sold-out, multi-generational crowd at Brooklyn Paramount heard live premieres of three songs from the Illinois band’s 2020 album.
The first of ten nights at the Ziggo Dome drew heavily from new album Kiss All the Time. Disco, Occasionally. and folded in nods to Underworld and Talking Heads.
The second time Drake draws from Lykke Li’s catalog arrives via an interpolation on the Icemant track “Janice STFU.”
The post-hardcore band has released a new studio session in celebration of their 25-year run.
Six decades after its release, the album that reset pop music’s ambitions remains as much a burden as a benchmark.
