On “Through The Slow Dusk,” the Seattle project fuses anarcho-punk urgency with industrial decay to confront climate breakdown and political paralysis—no comfort offered, no apologies made.
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On “Through The Slow Dusk,” the Seattle project fuses anarcho-punk urgency with industrial decay to confront climate breakdown and political paralysis—no comfort offered, no apologies made.
The experimental outfit releases a new album drawn from David Lynch’s debut film soundtrack, captured through live performances and memory.
On their third album, the Leeds band swaps electronics for a tighter rock sound while James Smith stretches his voice from rap to croon, exploring a world stripped of deeper meaning.
Putnam Avenue now carries the name ODB Jones Way, marking the block where the rapper’s grandmother still lives and a mural of his debut album has long watched over the neighborhood.
The Swedish band’s theatrical live show gets the large-format treatment, with stage designer Tobias Rylander offering a rare look at the visual machinery behind the spectacle.
The Paramore frontwoman used her headlining set to premiere material from her new solo album “Ego Death at a Bachelorette Party,” give long-delayed live debuts, and transform the stage into a rotating cast of collaborators.
The Italian producer returns under a new alias with a seven-track album that channels the spectral logic of IDM and the patience of deep listening.
The singer-songwriter’s third studio album debuts atop the Billboard 200 with 124,000 equivalent units, cementing a steady commercial ascent.
A collection of album-adjacent tracks arrives in a deliberately analog format, rejecting streaming in favor of a paid download.
The French experimentalists deliver a tense, shape-shifting work that flirts with orchestral abstraction and industrial residue.
