The French experimentalists deliver a tense, shape-shifting work that flirts with orchestral abstraction and industrial residue.
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The French experimentalists deliver a tense, shape-shifting work that flirts with orchestral abstraction and industrial residue.
The Italian sound artist gathers field recordings from the volatile Phlegraean Fields, shaping a document of landscape, memory, and quiet human presence.
Michael Cloud Duguay’s new album, recorded on seven church organs across the province, doubles as an ethnographic document of shrinking communities and their sacred spaces.
The twelve-track album arrives July 31 via XL, following a visual livestream directed by Daniel Sannwald. Arca describes the project as an intentional disruption of her own creative habits.
The 16-track XL Recordings release gets its first public airing via an immersive broadcast.
During a residency at IRCAM, the ensemble found itself between a space of innovation and striking workers outside. Their album doesn’t romanticize struggle — it lets field recordings, strings, and fragmented poetry hold the tension.
Two new releases on the Line imprint, from Masaya Kato and Savvas Metaxas, find depth in material constraints—glassmaking sounds and magnetic tape loops.
The latest edition documents electronic artists, film directors, and local scenes across Ukraine, showing that music continues even as missile attacks escalate.
Hans Joachim Irmler, Jean-Hervé Péron, Gunther Wüsthoff and Werner “Zappi” Diermaier will each release a solo LP on Bureau B, tracing divergent paths from the krautrock group’s collective legacy.
Leftover from the Materia Breve sessions, these untitled fragments found a conceptual home in Vilhelm Hammershøi’s painting. Guindani’s most understated release turns silence into presence.
