Ella Williams returns with her fourth full-length under the name, anchored by the single “Reelin” and a sprawling tour schedule that stretches into late 2026.
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Ella Williams returns with her fourth full-length under the name, anchored by the single “Reelin” and a sprawling tour schedule that stretches into late 2026.
The Boise band extends its fall itinerary with Quasi and bassist Melanie Radford’s solo sets supporting.
Johnny Lynch returns with an album that wraps themes of loss and failure in deceptively bright electronic textures.
The Los Angeles project led by Nick Anastasakis arrives with a limited edition 7-inch on June 16 that pairs two tracks built around the same conviction. Time is not to be managed or measured. It is to be met with presence and intention. The A side offers a reminder. The B side delivers a push. …
Mark Oliver Everett announces the sixteenth EELS studio album, pairing a worn-down lead single with a philosophy borrowed from Cookie Monster.
All 45 arena dates have sold out, marking a decisive shift in scale for an artist returning to solo headlining after three years.
The actor-musician talks his live-band EP, the comedown from Broadway’s Swept Away, and a small role in Mike Flanagan’s Exorcist reimagining.
Eric D. Johnson returns with the full-band Fruit Bats album, turning mundane details into quietly profound pop on Merge Records.
The Australian songwriter returns with her first album for 4AD, a ten-track set recorded in Melbourne that pairs jangle pop with questions of love and autonomy.
Recorded in 2011 and shelved after Blur regrouped, the guitarist’s long-delayed solo LP arrives via Transgressive next week, rooted in teenage Colchester memories.
