The Portland indie band leans into a quieter, more melancholic mode on the new track, following the shoegaze-tinged “Slime.”
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The Portland indie band leans into a quieter, more melancholic mode on the new track, following the shoegaze-tinged “Slime.”
After years of tracing the uneven path from grief toward restoration, Lee Miller Matsos arrives at an EP that trusts the slow chemistry of what remains.
The Godflesh and Jesu figure is credited on “Bobby” and “Best Dressed,” placing his industrial weight inside an unexpected cultural context.
The NYC/Tokyo artist returns with an analog, driving single about refusing to stay in the shadows. Recorded live and mixed by Andros Rodriguez, Silhouette carries a clear sense of intention as Bam prepares his debut album Sometimes I Forget to Breathe.
Six years after Punisher, Phoebe Bridgers returns with Lost Weekend, an album that works through private loss and new romance with a more expansive sound.
The New England trio preview their forthcoming album Modernism with a track that pairs vibraphones and fuzz bass with a backwards guitar solo.
The Los Angeles songwriter follows last year’s _Altogether Stranger_ with a self-released album recorded on an eight-track in her Echo Park kitchen.
A decade after their stripped-back debut, the band’s second NPR session places I Built You a Tower material beside early catalog favorites, with Ben Gibbard noting how the years have shifted around them.
Sam Cook-Parrott returns with a gentle, unflinching single that reframes political exhaustion as a matter of personal choice.
The London band’s third album, out this October, leans into lightness — and the new track turns that intention into a lean, live-wire jolt.
Rombo Music Discovery
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