The singer performed the unreleased track solo on acoustic guitar, prefacing it with a disarmingly candid warning to the Colorado crowd.
The singer performed the unreleased track solo on acoustic guitar, prefacing it with a disarmingly candid warning to the Colorado crowd.
A Milan-based multi-instrumentalist with London years behind him turns funk, rock and electronic precision into a track that moves the body while refusing to look away from those left walking on worn soles.
Three essential late-’80s studio albums from the Australian band will be available individually on vinyl for the first time since their original release, alongside a previously unissued live set.
Andy LeMaster’s Now It’s Overhead is back with a five-song digital EP and the first vinyl pressings of its early Saddle Creek albums. One track, “eleven-seven-thirty-five,” dates back to the band’s earliest days.
At Brooklyn Paramount, the three Canadian bands leaned into their shared history without letting it become a crutch, drawing on recent albums that question what the past is worth.
The New York band’s upcoming album artwork continues a tradition of recontextualizing familiar imagery, mirroring Prince’s own method of cropping culture to reveal something stark and confrontational.
The longtime guitarist says a late-night attempt to confront a perceived harasser led him to send a sexual meme and suggestive remark to a 16-year-old fan.
The singer-songwriter’s fifth album trades restless experimentation for confident self-awareness, pulling her contradictions into a coherent, driving set of indie pop.
Returning to their hometown for a headline set, the band acknowledged Brighton’s role in their early years and played a new song, ‘Ballad Of So Long’.
On their third album, the Leeds band swaps electronics for a tighter rock sound while James Smith stretches his voice from rap to croon, exploring a world stripped of deeper meaning.
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