The New England trio preview their forthcoming album Modernism with a track that pairs vibraphones and fuzz bass with a backwards guitar solo.
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The New England trio preview their forthcoming album Modernism with a track that pairs vibraphones and fuzz bass with a backwards guitar solo.
The Los Angeles songwriter follows last year’s _Altogether Stranger_ with a self-released album recorded on an eight-track in her Echo Park kitchen.
A decade after their stripped-back debut, the band’s second NPR session places I Built You a Tower material beside early catalog favorites, with Ben Gibbard noting how the years have shifted around them.
Sam Cook-Parrott returns with a gentle, unflinching single that reframes political exhaustion as a matter of personal choice.
The London band’s third album, out this October, leans into lightness — and the new track turns that intention into a lean, live-wire jolt.
The singer performed the unreleased track solo on acoustic guitar, prefacing it with a disarmingly candid warning to the Colorado crowd.
A Milan-based multi-instrumentalist with London years behind him turns funk, rock and electronic precision into a track that moves the body while refusing to look away from those left walking on worn soles.
Three essential late-’80s studio albums from the Australian band will be available individually on vinyl for the first time since their original release, alongside a previously unissued live set.
Andy LeMaster’s Now It’s Overhead is back with a five-song digital EP and the first vinyl pressings of its early Saddle Creek albums. One track, “eleven-seven-thirty-five,” dates back to the band’s earliest days.
At Brooklyn Paramount, the three Canadian bands leaned into their shared history without letting it become a crutch, drawing on recent albums that question what the past is worth.
