The Montreal trio’s new LP, recorded with local studio mainstays, streamlines the post-Ought vocabulary into 11 tracks of deliberate impact.
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The Montreal trio’s new LP, recorded with local studio mainstays, streamlines the post-Ought vocabulary into 11 tracks of deliberate impact.
The Philadelphia songwriter’s new track “99th Song” turns a mundane piece of gear trouble into a meditation on endings, memory, and the fear of silence.
A handful of releases cut through this week, each built on deliberate shifts and a refusal to chase obvious moves.
Hovvdy, Rostam with Clairo, Widowspeak, Proun, and ear all put out tracks this week that trade grandiosity for close-focus details.
The destination event’s lineup mixes indie rock mainstays with sharp newer acts, leaning into cross-generational appeal without nostalgia overload.
The METZ guitarist returns with a solo album that replaces distortion-heavy noise with direct songwriting about loss, resilience, and moving on.
The Austin band’s new single turns an instrumental demo into a deeply personal reflection on gender and memory, ahead of their debut album Maybe Luck.
The London art-rock quartet’s debut sharpens personal rage into precise, muscular songs that never rely on volume alone to make their point.
Stereogum’s brief mention of Friko is a quiet signal, not a headline. The Chicago band’s profile continues to sharpen.
Bristol producer 1-800 GIRLS releases ‘LOVE’, a debut album that filters indie rock songwriting through a broad electronic lens, with guests like Art School Girlfriend and Council.
